Independent.ie has a feature on Biggie, talking about his legacy.
Meanwhile, The Independent (an entirely different publication) has an interview with Biggie's mom, Voletta Wallace.
The Independent has a feature on "Notorious," including an interview with Jamal "Gravy" Woolard.
... it was only a matter of time before B.I.G's story would make it onto the big screen. His rags-to-riches tale has been well-documented over the years, and it's no surprise that Hollywood executives have been tripping over themselves to secure the film rights to the story of how a former drug dealer gave a messianic hope to hip-hop. Some have even likened his career to Barack Obama's achievement in becoming the first black president. "B.I.G was our Shakespeare," explains Jamal Woolard, the 33-year-old fellow Brooklyn rapper who landed the lead role in the film. "He gave us hope, he gave us faith, he gave us dreams. Like Martin Luther King Jr and Obama. He meant a lot for the community."
Here's the video for the second single from the "Notorious" soundtrack, "Letter to B.I.G." by Jadakiss featuring Faith Evans.
It's a cool video. I like it. It would have been cool if they had everyone who Jadakiss mentioned.
Lil' Cease has a new track called "Talk Go Through Us" that features Fabolous and samples Biggie for the hook. Check it out at XXLmag.com.
Video Static reports that a video for "Letter to B.I.G." has been shot. The director is Va$tie and the production company is Triggerhappy. The Smoking Section has some behind the scenes photos.
Update: Just to be clear, this report isn't new, it's from January 19. A version of the video did leak online, but no official version has been released, as of yet.
Fox Searchlight has released some clip montages from "Notorious." If you are like me, and you no theater like you is carrying "Notorious" (the closest one to me is 61 miles away), you'll enjoy these.
Jon Caramanica of The Scotsman has a nice feature on "Notorious."
When we meet at Frank White, a Brooklyn café named after one of Biggie's alter egos, Woolard, also known as the rapper Gravy, has his own explanation for the silence, gasps and tears he faced during his transformation into Biggie. "Some people couldn't stomach it," he says. "Puff (Sean Combs, who owns Bad Boy Records, Biggie's record label] couldn't stay around. He just couldn't take it. But I felt like that's my job. They were hurting, but I'm not here to hurt you, I'm here to give you what you want." And also what a film like Notorious absolutely demands: an eerily credible re-creation of its protagonist. "If Biggie doesn't work, the movie doesn't work," says the film's director, George Tillman Jr. This week audiences and critics will get to decide if the efforts of Woolard and his many coaches have paid off, which would be a particularly impressive accomplishment given that the real Biggie Smalls, born Christopher Wallace, died only 12 years ago – murdered in March 1997 in Los Angeles in a still unsolved drive-by shooting – and remains fresh in the minds of many.
Edwin Ortiz of HipHopDX relays a story told to him by Michael Keith, formerly of 112. Keith described how Biggie used his clout (at the time) to ensure that the group got to perform the entire length of their show at an event, when the promoter was aiming to cut it short.
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