Add Bad Boy Blog
Subscribe to me on YouTube

 
Posted in Diddy/Dirty Money
Posted by Patrick
According to a promotional message sent out by Bad Boy, the new remix to Dirty Money's "A** on the Floor", which you can download for free or listen to in our audio player, was produced by Rob Holladay.

Posted in Diddy/Dirty Money
Posted by Patrick
AllHipHop.com reports that Brian-Michael Cox and SESAC, the performing rights organization, will host a gala on February 13 in Los Angeles to honor Diddy.

"I see Diddy's work as an artist being celebrated all the time," Cox said in a statement. "It was important to me to celebrate his work and honor him as a businessman who's marketing genius changed the face of the music industry. Having worked closely with him throughout the years, I've been a direct beneficiary of his counsel and its been life changing."

Posted in Diddy/Dirty Money
Posted by Patrick
According to the official Twitter account of the GRAMMYs, Diddy has been added as a presenter.

Via Njai Joszor.

Posted in Diddy/Dirty Money
Posted by Patrick
We've seen the behind the scenes footage - it's time for the video! The visual for Kevin Cossom's "Baby I Like It" debuted today on MTV.com and MTVU. Check it out below.


Posted in Diddy/Dirty Money
Posted by Patrick
Diddy has released "the official remix of GRAMMY weekend" for free download. It's the official remix to "A** on the Floor" featuring Swizz Beatz. The song features an entirely new instrumental.

Update: Diddy also put out a clean version on Twitter.

Posted in Diddy/Dirty Money
Posted by Patrick
Diddy announced this evening that Dirty Money's "Coming Home" had, so far, sold 1.7 million copies worldwide. He also mentioned that "Hello Good Morning" had sold 1.2 million.

"Hello Good Morning" was certified gold by the RIAA in September, which indicates sales in the United States of at least 500,000. "Coming Home" has yet to be certified, but I have a feeling that it is only a matter of time.

Posted in Diddy/Dirty Money
Posted by Patrick
The last few months have been a little crazy and, as such, we have been focusing on high level stories - or stories that happened to cross my desk - here at Bad Boy Blog. At the same time, being a comprehensive source, I at least wanted to summarize some of the stories that fell through the cracks during this time. Check out some of them below.

Music From Diddy Now Available to Remix on Romplr

According to a press release issued in November, music from Diddy is now available to remix on Romplr, an app that allows you to remix tracks through your mobile device.

A run through the Romplr leaderboard reveals some mixes to "Last Night" that you can listen to on their website.

Diddy Lends Some Vocals to Game's "Red Bottom"

Back in November, a seemingly unfinished track by Game appeared online, titled "Red Bottom." The song featured Diddy, who contributed a brief introduction and a few words throughout the song, which included Game name checking both Bad Boy and Ciroc. It is unclear if this track is intended for Game's upcoming album, "The R.E.D. Album."

» Read More


Posted in Diddy/Dirty Money
Posted by Patrick
On Twitter, Diddy mentioned that tonight Dirty Money was shooting another video for a song from "Last Train to Paris." It's unclear what track it is for.

Posted in Diddy/Dirty Money
Posted by Patrick
On Thursday, Justin Bieber was a guest on "Jimmy Kimmel Live," promoting his new film "Never Say Never." During the show, Diddy stopped by to hang out and have some fun. Watch below.






Posted in Diddy/Dirty Money
Posted by Patrick
The Hollywood Reporter has a cover story on Justin Bieber, the team behind them and how they are working to ensure he maintains his success for the long haul.

L.A. Reid, the chairman of Island Def Jam Music Group, who signed Beiber to a 360 deal in 2008, shared an interesting story about Usher and how, when his voice changed due to puberty, he wanted to drop the singer. But, someone convinced him not to. Diddy.

Reid says he doesn’t live with regret, but dig a little deeper, and it becomes clear that one major hurdle from Reid’s past is coming into play with Bieber. Weeks from turning 17 on March 1, Bieber and his $100 million voice are changing. When this natural process of human development occurred with Usher, Reid, by his own admission, “lost it.” He recounts those trying months back in 1994: “I wasn’t there for Usher. I heard him at a showcase, and he couldn’t sing. I was embarrassed. It was like: ‘Damn, where’s the voice? What happened to his tone? Where’s the power and the range?’ It was all gone. I wanted to drop him. I wanted to be out of business with him. I broke his heart. I broke his mother’s heart. It was a very tough period in both our lives. Then someone said to me: ‘Don’t be a fool. Don’t sell your stock in Usher. He’s still going to be a star. He’s everything you thought he was the day you signed him.’ And that person was Puffy.” Says Usher: “No man is perfect and no executive knows how to make all the right decisions. I was shielded from a lot of it. My mother felt it more than anything. But losing my voice f---ed me up. I had to figure it out.”

It should be no surprise, then, to learn that the person hired to help Bieber navigate the tricky world of puberty is vocal coach Jan Smith, who got Usher through his early performances. “She has me doing vocal conditioning exercises regularly,” Bieber explains. Today Reid, a father of five, says he’s better prepared to handle Bieber’s maturation. “I know how to be encouraging now,” he says. “I wasn’t that way to Usher. I didn’t give him the same kind of love and support at the time. But Puffy was right.”

Pages: «Prev || ... 28 · 29 · 30 · 31 · 32 · 33 · 34 · 35 · 36 ... || Next»