In an interview with American Songwriter, country singer Colt Ford talks about a conversation he had with The Notorious B.I.G., where Biggie revealed how he was influenced by some country icons.
I’ve always been impressed with hip hop lyrics, in just how many there are per line, and the creativity involved. Do you feel the same way?
Honestly, hip-hop and old country music is really not all that different. They’re storytellers just talking about a different story. But, hip-hop is important. I’ve done some things in the hip-hop world, written a couple things for a couple people, and I remember talking to Notorious B.I.G., before he died, and him going, “You know, I learned the art of story telling from my mother listening to Waylon Jennings, Johnny Cash, and Merle Haggard.” His mother is from Jamaica, and in Jamaica they only have a reggae station and a country station. His mom liked that stuff, so she only had those records. He goes, “I would listen to these dudes: Waylon Jennings, Johnny Cash, and Merle Haggard, and they told stories.”
You take some of the guys, lyrically, like Tupac, Biggie, Jay-Z, and Eminem and those dudes are un-freaking-believable. Listen to the words they are putting together, lyrically and sonically what they’re doing. It’s phenomenal. I’ve sat there and watched Jay-Z sit down and write 16 bar verses and never write anything down. He’ll have it all in his head, then go into the studio and lay it down. That’s bada**. I don’t care who you are. You write songs, and you don’t appreciate that, then you don’t know shit. [laughs] You don’t know anything about writing a song if you can’t appreciate what that’s like while looking at the lyrical content. For me, I’m doing five, six, seven words for their singing one. A lot of my artist friends are like, “How do you remember all that stuff?” I say, “Sometimes I don’t.” That’s what makes real music and live music fun! Sometimes you mess up. That’s okay. That’s music.
During an interview, BBC Radio's Ace & Viz asked storied music producer Dallas Austin to reflect on "This Time Around," the Michael Jackson song that he produced that featured The Notorious B.I.G.
He mentions that first Biggie came up with a clean rhyme, but he that wasn't really what he wanted to do on it, so he did another, more vulgar one. Austin didn't think Jackson would want to keep it, but he did. Watch below, starting at the 2:53 mark.
FADER is continuing their celebration of Biggie, following their decision to honor him for their annual Icon issue. They have released more footage from Biggie's 1995 performance as part of KMEL's Summer Jam in 1995. Previously, they had released a clip of him performing "Warning" with Lil' Cease.
In the clip below, Big curses and throws a bottle of water at DJ Big Kep, when the sound of the records he was spinning didn't come out right. Big Kep told FADER his side of the story, saying that it was so hot that the records were melting. Later, he says, Biggie was cool with him and knew what was going on, but didn't want to let the crowd think it was his fault.
Lloyd excitedly shared a coincidental fact about an inspiring moment. "My very first concert was a Diddy show in Atlanta," he said, smiling. "Puff came out and he just rocked it, man. I had never experienced anything like that."
Now Lloyd performs on the same stage as the star he admired so much as a kid. "Diddy's one of the first people to take hip-hop to a popular music standpoint," Lloyd noted. "He's the godfather of hip-hop!"
Newly published interviews with phillyBurbs.com and the Philadelphia Daily News mostly go over previously covered territory, as Monae shares her mission and talks about the tour.
One of the more interesting things I read was her talking about cinematical aspirations, including her desire to work with George Lucas or Tim Burton.
In advance of their tour kicking off, Janelle Monae and Bruno Mars spoke with MTV's The Seven and talked about the influence that they have on one another. Watch below.
Here are Bad Boy's positions on the most recent Billboard U.S. album and single charts, released today. Dirty Money's "Coming Home" and "Last Train to Paris" fall while "Your Love" stagnates.
Albums
The Billboard 200
191. "Last Train to Paris" by Dirty Money (down from 171).
Top Current Albums
150. "Last Train to Paris" by Dirty Money (down from 136).
Top R&B/Hip-Hop Albums
27. "Last Train to Paris" by Dirty Money (down from 25).